Joel plays a guitar at the start of The Last of Us Part II.

The DeanBeat: The Game Awards show gaming’s past and future

The Game Awards always inspires me to think about the possibilities of gaming. The show looks into the past year, which now seems like a century ago, to review all the games that deserve awards. And it looks ahead with world premieres that promise us good things to come. The games that show up in the rear-view mirror or on the road ahead tell us where the game industry is going.

The Last of Us Part II swept many of the honors last night, surprising no one. I love that game, and I love that both critics and fans felt the same way. Naughty Dog’s seven awards showed that the studios that make the biggest bets and the most ambitious games can be rewarded with the highest honors and riches. The game was so polished that I didn’t see any flaws when played through it several times. The story is memorable, and the execution on graphics and the action is so good. The musical performance of Pearl Jam’s Eddie Vedder, singing “Future Song,” which Joel performs with its symbolic guitar, brought home so many emotions for me about how the game connects characters through music.

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Dean Takahashi

Dean Takahashi is editorial director for GamesBeat. He has been a tech journalist since 1988, and he has covered games as a beat since 1996. He was lead writer for GamesBeat at VentureBeat from 2008 to April 2025. Prior to that, he wrote for the San Jose Mercury News, the Red Herring, the Wall Street Journal, the Los Angeles Times, and the Dallas Times-Herald. He is the author of two books, "Opening the Xbox" and "The Xbox 360 Uncloaked." He organizes the annual GamesBeat Next, GamesBeat Summit and GamesBeat Insider Series: Hollywood and Games conferences and is a frequent speaker at gaming and tech events. He lives in the San Francisco Bay Area.